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The picture has a brooding, terrifying avant-garde score. It was completely effective in supporting the mood of the movie while also being an impressive piece of work in its own right. There were no credits at the beginning of the film, so I didn't know who was responsible for the music. I assumed that it was an unknown, experimental young composer. I made a note to watch for the name at the end.
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But then I heard his delightful music for Sherlock Holmes. It was such a quirky, engaging score that I was forced to approach Zimmer with a newly open mind. And I was rewarded with the pleasure of such soundtracks as Inception (kind of a post modern John Barry 007 soundtrack).
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There is an unofficial promotional release of Zimmer's music (a total of almost 39 minutes) but it isn't generally available. I can only hope someone in the music division of Columbia has a burst of sanity and issues the entire score on a legitimate CD.
(Image credits: The front and back cover of the "From and Inspired By" CD are from Amazon where you can buy the CD, though I can't imagine why you'd want to. The cover for the much more appealing promotional release is from Hans Zimmer Dot Com, a very informative "almost official" site.)
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